Growing up watching my world being built around me has resulted in
the vital role of fabrication in my body of work. This has been my
source vocabulary, one of physical construction. The physical product
of the work stems from human conversation and interaction. These
conversations are a synthesis of everyday phenomena; light, sound,
and motion. The work is the result of understanding these phenomena
and translating them into a piece that communicates with the viewer.
The voice of my work comes from motors. Rotations byproduct is
motion, with the potential to create, modernize, and industrialize
civilization. The power of rotation has been a driving force of my
existence. I use an assortment of industrially produced materials, steel,
glass, plexiglass, electronics, motors, wood, and hardware. Keeping true
to the industrial nature of these materials is important to the works
aesthetic. I try not to mask the material being used, rather I will use
them as a point of entry into the work. The kinetic aspect of the
work reflects human function, modestly exemplifying how rotation is
at the root of every action. It is the root of all movement and movement
is at the root of all progression. I create work that moves honestly
and invites human progression.